BODY & VOID: ECHOES OF MOORE IN CONTEMPORARY ART, HENRY MOORE FOUNDATION, PERRY GREEN, ENGLAND, 2014
01 May - 26 October 2014
Antony Gormley exhibited two early sculptures, SENSE (1991) and STILL FEELING [CORNER] (1993, and one drawing, CAVE (1987), in BODY & VOID: ECHOES OF MOORE IN CONTEMPORARY ART.
This exhibition explored Henry Moore's legacy and featured some of the most recognised names in contemporary art from Bruce Nauman and Bruce McLean to Tony Cragg, Richard Deacon, Antony Gormley, Damien Hirst, Sarah Lucas, Richard Long and Rachel Whiteread, as well as Keith Coventry, Paul McDevitt, Roger Hiorns, Paul Noble and Simon Starling. BODY & VOID drew connections between Moore's investigation of internal space and his concept of sculpture as a journey, and revealed how these ideas have been taken in new directions by subsequent generations of artists.
Click here to read about Moore's influence on Antony Gormley.
![SENSE, 1991; STILL FEELING [CORNER], 1993; CAVE, 1987](/uploads/images/53b3de21f1ae1.jpg)
SENSE, 1991; STILL FEELING [CORNER], 1993; CAVE, 1987
Installation view, Henry Moore Foundation, Perry Green, England, 2014
Photograph by Jonty Wilde

