Antony Gormley

1997

  • David Whetstone, 'Sculptor unveils a virtual reality model', The Journal, Newcastle, 4 December 1997

  • Ilse Cordes, 'Figur oder Dokumentation?', Cuxhavener Nachrichten, Cuxhaven, Germany, 7 November 1997

  • Boris Hohmeyer, 'Der Blick geht hin ueber nach England', Art, Hamburg, Germany, November 1997

  • Matthew Higgs, 'Follow Me', Art Monthly, London, England, November 1997

  • Mairi Ben Brahim/Helen Gibson/Barry Hilenbrand/Philip Skelding, 'Britain renewed', Time Magazine, New York, USA, 27 October 1997

  • Dora Hartmann, 'Die Meditation der Kurgaste', Die Tageszeitung Abkurzung taz, Bremen, 18 - 19 October 1997

  • Author Unknown, 'Antony Gormley - Wattenmeerprojekt - Cuxhaven', Art, Hamburg, Germany, October 1997

  • Author Unknown, 'Angel of the North wings in', The Financial Times, London, England, 22 September 1997

  • Jessica Kempe, 'Ogon spanda I trad', Dagens Nyheter, Stockholm, Sweden, 19 September 1997

  • Katja Blomberg, 'Eisenmaenner auf ihrem Weg ins Meer', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 18 September 1997

  • Hagen Haastert, 'Tagein, tagaus regungslos in den Fluten stehen', Main-Echo, Aschaffenburg/ '100 Maenner nackt im Watt', Darmstaedter Echo, Darmstadt, Germany, 6 September 1997

  • Eva Runefelt, 'Behallare som skyddar det levande', Svenska Dagbladet, Stockholm, Sweden, 6 September 1997

  • Author Unknown, 'Antony Gormley Exhibition', The British Council Bulletin, Tokyo, Japan, July/August/September 1997

  • Ian Tromp, 'Inside outlines', Dharma Life, London, England, Summer 1997

  • Jens Ronnau, 'Antony Gormley: Our House: Kunsthalle zu Kiel', Artforum no.137, June/August 1997

  • Author Unknown, 'Gormley darf Koegerfiguren im Watt installieren', Cuxhavener Nachrichten, Cuxhaven, Germany, 23 April 1997

  • Author Unknown, 'Die Polaritaet der Menschen in dieser Welt' and Ilse Cordes, 'Die Chance erkennen', Cuxhavener Nachrichten, Cuxhaven, Germany, 18 April 1997

  • Waldemar Januszczak, 'A true reflection of the age', The Sunday Times, 13 April 1997

  • Author Unknown, 'Total Strangers', Kolner Illustrierte no.4, Cologne, Germany, April 1997

  • Claudia Herstatt, 'Der reproduzierte Mensch', Handelsblatt, Duesseldorf, Germany, 21 - 22 March 1997

  • Arno Orzessek, 'Menschenbild aus Eisen', Sueddeutsche Zeitung, Germany, 6 March 1997

  • Author Unknown, 'Aufmarsch der Massen', Der Spiegel no. 10, Germany, 3 March 1997

  • Ian Tromp, 'Bodyworks', Sculpture vol.16 no.3, Washington, DC, USA, March 1997

  • Richard Cork, 'Our heavenly bodies', The Times, London, England, 25 February 1997

  • Amine Haasem, 'Wer sind die Fremden?', Kolner Stadt-Anzeiger, Cologne, Germany, 22 - 23 February 1997

  • Margarete Hucht, 'Fremder Mann aus Eisen', Kolnische Rundschau, Cologne, Germany, 21 February 1997

  • Marie Claire Uberquoi, 'El Macba expone la vision de 30 artistas sobre la vida y la muerte', El Mundo, Barcelona, Spain, 6 February 1997

  • Ignacio Ramonet, 'Imperium Americanum', Le Monde Diplomatique, Berlin, Germany, February 1997

  • Katie Ford, 'Let's see your body', Varsity Arts, Cambridge, 24 January 1997

  • Alf Herlofsson, 'Betong- kostymerna snart fullbordade', Skanska Dagbladet, Malmo, Sweden, 23 January 1997

  • Magnus Jando, 'Modeller soker sina egna avbilder', Arbetet Nyheter, Sweden, 23 January 1997

  • Julia Cassim, 'Sculptures cast an enigmatic silence', The Japan Times, Tokyo, Japan, 19 January 1997

  • The Directory, London, 18-24 January 1997

  • Leif Larssonk, 'Men de finns ju har ocksa', Vasterbottens-Kuriren, Umea, Sweden, 11 January 1997

  • Elaine Williams, 'Confessions of a sculptor', The Times Higher Education Supplement, London, England, 10 January 1997

  • Pepe Vinoles, 'El otro yo del hormigon', Liberacion, Malmo, Sweden, 3 January 1997

  • Ilse Cordes, 'Nur ein winziges Etwas in der weiten Landschaft', Cuxhavener Nachrichten, Cuxhaven, Germany, 12 September 1997
  • Mel Gooding, 'The art of noise', The Independent Magazine, London, England, 24 May 1997

  • Thierry Davila. "Empreinte, l'art cueilli sur le vif", Beaux-Arts Magazine, France, April 1997

  • Maddy McTernan, 'My time at Cambridge', CAM, University of Cambridge, Lent Term, England 1997

  • Gesa Roepke, 'Eine Schlammlandschaft', Kieler Express, Kiel, Germany, 22 March 1997
  • Ilse Cordes, 'Nach den Hapag-Hallen nun das Watt', Cuxhavener Nachrichten, Cuxhaven, Germany, 7 March 1997
  • Erik Magnusson, 'Hostens utstallningar raddade', Sydsvenska Dagbladet, Malmo, Sweden, 5 March 1997
  • Maren Kruse, 'Die Kunst: ein truebes Gewaesser', Kieler Nachrichten, Kiel, Germany, 1 March 1997
  • Olga Spiegel, 'El Macba abre la tercera muestra con fondos de su coleccion', La Vanguardia, Barcelona, Spain, 6 February 1997
  • Louisa Buck, 'Moving Targets', Tate Gallery Publishing, London, England, 1997

  • Hideki Nakamura, Yomiuri Chubu, Japan, 1 January 1997

1996

  • C-J Charpentier, 'Gudar av betong', Nya Lidkoping-Tidningen, Lidkoping, Sweden, 24 December 1996

  • Britte Montigny, 'Manniskor innesluts I armerad betong', Ostra Smaland, Kalmar, Sweden, 18 December 1996

  • Tina Jackson, 'Go on - make your mark', The Big Issue, London, England, 16-29 December 1996

  • Marten Castenfors, 'Personligt vackert avsked som vager tungt', Svenska Dagbladet, Stockholm, Sweden, 23 November 1996

  • Daniel Birmbaum, 'Betong med effekter', Dagens Nyheter, Stockholm, Sweden, 23 November 1996

  • Larsolof Carlsson, 'I betongens sallsamma varld', Helsingborgs Dagblad, Helsingborg, Sweden, 23 November 1996

  • Karl-Erik Johansson, 'Betong' blir en klassiker?', Hallandsposten, Halmstad, Sweden, 16 November 1996

  • Bertil Kaa Hedberg, 'Hapnadsvackande vackert I betong', Norra Skane, Hassleholm, Sweden, 14 November 1996

  • Anders Mildner, 'Varsagod: 150 ton betong', Smalandsposten, Vaxjo, Sweden, 13 November 1996

  • Ingamaj Beck, 'Subtilt I betong', Aftonbladet, Stockholm, Sweden, 13 November 1996

  • Kiss, Tokyo, Japan, 12 November 1996

  • Pontus Kyander, 'En arme av malmobor I betong', Sydsvenska Dagbladet, Malmo, Sweden, 11 November 1996

  • Margaretha Wilson, 'Betong', Nordvastra Skanes Tidningar, Angelholm, Sweden, 10 November 1996

  • Annika B Anjou, 'Massor av betong I Malmo konsthall', Helsingborgs Dagblad, Helsingborg, Sweden, 8 November 1996

  • Eri Kawabe, BT, Tokyo, Japan, November 1996

  • Matt Carey-Williams, 'Antony Gormley: Body and Light and other drawings 1990-1996', SPEC, London, November 1996

  • Annie Taylor, 'The difference a day made', The Guardian, London, England, 31 October 1996

  • Rosanna Negrotti, 'Antony Gormley: The Hayward Gallery', What's On, London, England, 30 October 1996

  • Author Unknown, 'Whose turn for the Turner?', The Independent on Sunday Review, London, England, 27 October 1996

  • Lotta Satz, 'Snart ar hon gjuten I betong', Skanska Dagbladet, Sweden, 20 October 1996

  • Jay Rayner, 'Gorm winner', The Observer, London, England, 13 October 1996

  • Maggie Gee, 'Triumph of the little man', New Statesman, London, England, 11 October 1996

  • Philip Hensher, 'Masters of allusion', Mail on Sunday, London, England, 6 October 1996

  • Thomas Sutcliffe, 'Don't dismiss the craziness of modern artists....' The Independent, London, England, 5 October 1996

  • Brian Sewell, 'Empire of the senseless', Evening Standard, London, England, 3 October 1996

  • Martin Gayford, 'A tiny tide evokes the vastness of humanity', The Daily Telegraph, London, England, 2 October 1996

  • Kipper Williams, 'The Lady and The Wimp' (Comic Strip), Time Out, London, England, 2-9 October 1996

  • Hidetaka Matsumoto, JAAM no.52, Japanese Association of Art Museums, Tokyo, Japan, October 1996

  • Tsutomu Mizusawa, Yomiuri, Kanagawa, Japan, 1 October 1996

  • Author Unknown, 'Antony Gormley Exhibition', The British Council Bulletin, Tokyo, Japan, October/November/ December 1996

  • Author Unknown, Asahi Shimbum Weekly AERA, Tokyo, Japan, 30 September 1996

  • Crispin Ahlstrom, 'Platsen skapar nya betydelser', Goteborgs-Posten, Sweden, 29 September 1996

  • Sarah Kent, 'Antony Gormley: Hayward', Time Out, London, England, 25 September 1996

  • Richard Cork, 'Full frontal power show', The Times, London, Engalnd, 24 September 1996

  • Hidefumi Hashi, Yomiuri, Kanagawa, Japan, 15 September 1996

  • John Whitley, 'Artist on the side of the angels', The Daily Telegraph, London, England, 14 September 1996

  • Joel Perron, 'Bodies cloaked in paradox', Daily Yomiuri, Tokyo, Japan, 13 September 1996

  • Hikaru Harada, Yomiuri, Kanagawa, Japan, 12 September 1996

  • Norio Sugawara, Yomiuri Shimbun, Tokyo, Japan, 11 September 1996

  • Pia, Tokyo, Japan, 10 September 1996

  • Tim Hilton, 'Portrait of the young man as an artist', The Independent on Sunday, London, England, 9 September 1996

  • Tina Jackson, 'The galloping Gormley', The Big Issue, London, England, 9 September 1996

  • Hiroshi Ohno, Yomiuri, Kanagawa, Japan, 7 September 1996

  • Richard Cork, 'Critic's choice of autumn shows', The Times, London, England, 4 September 1996

  • Niels Hebert, 'Massans magi', Arbetarbladet, Gavle, Sweden, 3 September 1996

  • Geijutsu Shincho, Tokyo, Japan, 1 September 1996

  • Ann-Sofie Ingman, 'Markvardigt mote med massiv skara', Ornskoldsviks Allehanda, Ornskoldvik, Sweden, 28 August 1996

  • Patric Moreau, 'Unika lerfigurer breder ut sig....', Smalandsposten, Vaxjo, Sweden, 21 August 1996

  • Lars Ericsson, 'Humanistisk arme invaderar Magasin 3', Dagens Nyheter, Stockholm, Sweden, 21 August 1996

  • Tina Ekerot, 'Malmobor sokes till betongkonst', Boras Tidning, Boras, Sweden, 20 August 1996

  • Bertil Kaa Hedberg, 'Vill du bli avgjuten?', Norra Skane, Hassleholm, Sweden, 20 August 1996

  • Lilith Waltenberg, 'Lat dig gjutas I betong och bli ett hus!', Sydsvenska Dagbladet, Malmo, Sweden, 18 August 1996

  • Asa Wall, Spoklik arme av lerfigurer i hamn, Svenska Dagbladet, Stockholm, Sweden, 17 August 1996

  • Agneta Nordenankar, 'Mot blicken hos 40 000 lerfigurer', Dagens Nyheter, Stockholm, Sweden, 16-22 August 1996

  • Eva Killberg, 'Individens globala falt', Nordvastra Skanes Tidninger, Angelholm, Sweden, 15 August 1996

  • Author Unknown, 'Gormley and Gombrich in conversation', Prospect no.11, London, England, August/September 1996

  • Katja Blomberg, 'Innen im Inneren', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, August 1996

  • Andy Beckett, 'The angel with a dirty face', The Sunday Review, Independent on Sunday, London, England, 28 July 1996

  • Laure Bernard, 'A Saint-Remy, l'hommage au calme', Le Figaro, Paris, France, 9 July 1996

  • Author Unknown, 'Antony Gormley Exhibition', The British Council Bulletin, Tokyo, Japan, July/August/September 1996

  • Hidefumi Hashi, 'Antony Gormley', JAAM no.51, Japanese Association of Art Museums, Tokyo, Japan, July 1996

  • Author Unknown, 'Les sculptures d'Antony Gormley', Le Provencal, Avignon, France, 22 June 1996

  • Elisabeth Lebovici, 'Les Anglais sculptent leur classicisme', Liberation, Paris, France, 6 June 1996

  • Jonathan Tulloch, 'The case for an Angel', Iron issue 79, Newcastle, England, Summer 1996

  • Miriam Yizrael, Studio Art magazine, Israel, June/July 1996

  • Ann Hindry, 'Sculpture anglaise: le clavier de l'imagination', Art Press no.214, Paris, France, June 1996

  • David Bell, 'Iron Man will stay insist city leaders', Evening Mail, Birmingham, England, 22 May 1996

  • Miriam Yizrael, Iton Yerushalaim, Jerusalem, Israel, 17 May 1996

  • An.S, 'Razumijevanje', Oslobodenje, Sarajevo, Bosnia, 4 May 1996

  • Author Unknown, 'JCCC exhibit features British artist's sculpture', Olathe Daily News, Kansas City, USA, 4-5 May 1996

  • N. Lipa, 'Kriticna vajarska masa', Dnevni avaz, Sarajevo, Bosnia, 4-5 May 1996

  • N.O, 'Tijelo je prostor', Oslobodenje, Sarajevo, Bosnia, 3 May 1996

  • Author Unknown, 'Promijenila se ideja o Zemlji...', Oslobodenje, Sarajevo, Bosnia, 2 May 1996

  • Author Unknown, 'Orijaska zeljezna konstrukcija', Dnevni avaz, Sarajevo, Bosnia, 2 May 1996

  • Author Unknown, 'Epski sou A. Gromleya', Sarajevo, Bosnia, 2 May 1996

  • Anne de Charmant, 'so british: cent ans de sculpture', Museart no.60, Paris, France, May 1996

  • Terry Grimley, 'Iron man is true symbol of our city', Birmingham Post, Birmingham, England, May 1996

  • Michael Ellison, 'Sculpture of angel to rise before doubting Geordies', The Guardian, London, England, 12 April 1996

  • Nigel Reynolds, 'Lottery to make A1 angel more than just a vision', The Daily Telegraph, London, England, 12 April 1996

  • Dalya Alberge, 'Lottery cash adds to war over artist's peace angel', The Times, London, England, 11 April 1996

  • Marianne MacDonald, '£500,000 grant for steel angel', The Independent, London, England, 11 April 1996

  • Jonathan Glancey, 'It's out there: the art we love and hate', The Independent, London, England, 6 April 1996

  • Maud Milton, 'Magnetic Field', Artists Newsletter, April 1996

  • William Feaver, 'Kurt dismissal', The Observer, London, England, 10 March 1996

  • Chris Lloyd, 'You can almost hear them squeaking', Northern Echo, Newcastle, 9 March 1996

  • Michael Ratcliffe, 'Our trends in the North', The Observer Review, London, England, 3 March 1996

  • Hans Pietsh, 'Engel des Nordens' mit 50 meter Fluegelspann weite', ART no.3, Hamburg, March 1996

  • Author Unknown, 'Fragments de chair et corps de plomb', Vogue, Paris, France, March 1996

  • Michelle Thompson, 'Field of dreams', Gateshead Post, Gateshead, England, 29 February 1996

  • Author Unknown, 'Little People', The Independent, London, England, 27 February 1996

  • Hideki Nakamura /Min Tanaka, Interview with Antony Gormley, Revue de la pensee d'aujourd'hui vol.25-2, Tokyo, Japan, February 1996

  • Irena Buzinska, 'Velreiz par Antonija Gormlija izstadi', Jzglitiba, Latvia, 18 January 1996

  • Anita Meinarte, 'Visa notiekosa kopsakaribas', Literatura Maksla, Latvia, 18 January 1996

  • Alertina Ryabinina, 'Neatvairamais', Zeme, Latvia, 16 January 1996

  • Pauls Bankovskis, '40 000 acu paru', Diena, Latvia, 12 January 1996

  • Mara Grunte, 'Ietilpigais', Izglitiba un Kultura, Latvia, 11 January 1996

  • Anna Gunnert, 'Ekon av manskligt liv', Konststichningen no. 96-04, Sweden, 1996

  • Astrida Rogule, 'Antonijs Gormlijs Latvija', Maksla no.4, Riga, Latvia, 1996

  • Tippi Engstrom, 'Lergubben far manniskor att tanka', 8 Sidor no.36, Stockholm, Sweden, 1996

  • Roger Bevan, 'Critical Mass in Critical Condition', Art & Auction, 1996

1995

  • Andrew Renton, 'Antony Gormley: Reclaiming the subject or making a case for the angel', Art & Design, No.41, 1995

1994

  • Adrian Searle, 'We know you're in there'. The Independent, 4 November 1994

  • Angella Johnson, 'Man of iron forges hard image in the name of art', The Guardian, London, England, 2 November 1994

  • Author Unknown, 'Tate unveils entries for Turner Prize', The Times, London, England, 2 November 1994

  • Dan Conaghan, 'Artists bend over backwards to keep prize controversial', The Daily Telegraph, London, England, 2 November 1994

  • Robin Stringer, 'An about-Turner?', Evening Standard, London, England, 1 November 1994

  • Acta Orthopaedica Scandinavica vol.65 no.5 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, October 1994

  • D. Vidovic, 'Krik za savjest covjecalistva', Oslobocyeiye, Sarajevo, Bosnia, 27 September 1994

  • Author Unknown, 'En havmann til glede', Rana Blad, Mo i Rana, Norway, 23 September 1994

  • Geir Pedersen, 'Havmannen setters pa plass', Rana Blad, Mo i Rana, Norway, 22 September 1994

  • Jane Rankin-Reid, 'Air and Angels', Art and Text no.49, Melbourne, Australia, Autumn 1994

  • David Whetstone, 'A little bit of heaven in Gateshead', Northern Review, Autumn 1994

  • P. Szues Julianna, 'Valodi diszletek a Varban', Nepszabadsag, Budapest, Hungary, 27 August 1994

  • Horanyi Attila, 'Harmincotezer agyagfigura', Magyar Narancs, Budapest, Hungary, 18 August 1994

  • Zsofia Horvath, 'Silent figures speak', The Budapest Sun, Budapest, Hungary, 11-17 August 1994

  • Author Unknown, 'An exhibit for the world', Budapest Week, Budapest, Hungary, 4 August 1994

  • Marianne Schei Aagdal, 'Havmann i granitt' Harstad Tidende, Harstad, Norway, 30 July 1994

  • David Mills, 'The glare of publicity coming to the four', The Sunday Times, London, England, 24 July 1994

  • Jonathan Cooper, 'Feat of clay leads the way', The Daily Express, London, England, 22 July 1994

  • Siposs, 'Agyagcivilek', Respublika, Budapest, Hungary, 22-28 July 1994

  • Victoria White, 'Derry artist on Turner shortlist', The Irish Times, Dublin, Ireland, 21 July 1994

  • Susannah Herbert, ''Real' art is back in fashion as Turner Prize jury makes a break with oddball tradition', The Daily Telegraph, London, England, 20 July 1994

  • James Cusick, 'L20,000 Turner Prize attracts shortlist', The Independent, London, England, 20 July 1994

  • Louise Jury, 'Body moulder builds big lead in Turner Prize line-up', The Guardian, London, England, 20 July 1994

  • Robin Young, 'Tate selects mixed bag for Turner shortlist', The Times, London, England, 20 July 1994

  • Author Unknown, 'Csirkekelteto a galeriaban', Nepszabadsag, Budapest, Hungary, 8 July 1994

  • Author Unknown, Magyar Hirlap, Budapest, Hungary, 6 July 1994

  • Author Unknown, 'Anyaga az agyag', Esti Hirlap, Budapest, Hungary, 6 July 1994

  • Nakamura, Revue de la pensee d'aujourd'hui vol. 22-14, Tokyo, Japan, July 1994

  • Toomas H. Liiv, 'Antony Gormley teab vastust', Puhapaevaleht, Tallinn, Estonia, 25 June 1994

  • Luke Clancy, 'Avoiding the post-modern trap', The Irish Times, Dublin, Ireland, 9 June 1994

  • Geir Pedersen, 'Havmannen hugges av grunnfjell', Rana Blad, Mo i Rana, Norway, 4 June 1994

  • Paul O'Brien, 'Antony Gormley: Irish Museum of Modern Art, Dublin', Circa, Dublin, Ireland, Summer 1994

  • Dalibor Blazevic, 'Ozivljavavje otudenih bica', Gradski Vodic, Croatia, June 1994

  • Sandra Krizic Roban, 'Nova Kolektivnost', Danas, Croatia, 31 May 1994

  • Vesna Kusin, 'Oci u oci', Vjesnik, Croatia, 31 May 1994

  • Zeljko Kipke, 'Prica o voajeru', Vijenac, Croatia, 26 May 1994

  • Author Unknown, 'Toliko ljudi - a nigdje covjeka', Vjesnik, Nedjelja, Croatia, 22 May 1994

  • Gerard Pernon, 'Antony Gormley: l'art invite a jouer', Ouest-France, Rennes, France, 20 May 1994

  • Author Unknown, 'Skulptura Iznutra', EM no.3, Croatia, 15 May 1994

  • Darko Glavan, 'Mi mozemo biti biljka ili oblak", Nedjeljna Dalmacija, Croatia, 11 May 1994

  • Vesna Kusin, 'Europsko polje savjesti', Vjesnik, Zagreb, Croatia, 5 May 1994

  • Iain Gale, 'A voyage to Lilliput', The Independent, London, England, 3 May 1994

  • Erik van der Heeg, 'Reviews: Antony Gormley: Nordenhake, Stockholm', Flash Art, Milan, Italy, May/June 1994

  • Tihomir Milovac, 'Antony Gormley', Kontura no.27, Zagreb, Croatia, May/June 1994

  • M. Havlicek, 'Gledaju vas oci covjecanstva', Koncarevac, Croatia, May 1994

  • Keith Ball, 'Intimate architecture - Antony Gormley', Everything no.13, London, England, April/May 1994

  • Mary Sara, 'Communion and Community', Contemporary Art, Bath, Spring 1994

  • Luke Clancy, 'Power of a lapsed optimist', The Irish Times, Dublin, Ireland, 30 April 1994

  • Patrick Gallagher, '35,000 little craythurs', The Sunday Independent, Dublin, Ireland, 24 April 1994

  • John Farrell, 'Gormley show has to be seen', The Sunday Press, Dublin, Ireland, 24 April 1994

  • Emer McNamara, 'Antony Gormley', The Sunday Times, Dublin, Ireland, 24 April 1994

  • Rose Jennings, 'Antony Gormley: White Cube', Time Out, London, England, 20 April 1994

  • Hilary Pyle, 'Point of contact with material world', Cork Examiner, Cork, Ireland, 20 April 1994

  • Geraldine Norman, 'Sculptor casts himself in star role', The Independent, London, England, 18 April 1994

  • Aidan Dunne, 'Cast in his own image', The Sunday Tribune, Dublin, Ireland, 17 April 1994

  • Author Unknown, 'Witnesses to war', The West Australian, Perth, Australia, 16 April 1994

  • Richard Balls, '40,000 faces stare back at the critics', The Evening Press, Dublin, Ireland, 14 April 1994

  • Richard Dorment, 'Appearances can be deceptive...', The Daily Telegraph, London, England, 6 April 1994

  • Author Unknown, 'La place Jean-Monnet receptionnee', Ouest-France, Rennes, France, 31 March 1994

  • Ewa Ayton, 'I am fighting a deconstrutive world view', Art and business, Warsaw, Poland, March/April 1994

  • Author Unknown, 'Antony Gormley: Lecture', M'ARS, Moderna Galerija, Ljubljana, Slovenia, March/April 1994

  • Author Unknown, 'GormleyGormley', Yo!, Centrum Sztuki Wspolczesnej, Warsaw, Poland, 18 February 1994

  • Acta Orthopaedica Scandinavica vol.65 no.1 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, February 1994

  • Miro Prochazka, 'Antony Gormley', Atelier, Prague, Czech Republic, 27 January 1994

  • Richard Cork, 'Ways to figure it all out', The Times, London, England, 11 January 1994

  • Ewa Ayton, 'Antony Gormley - Pole i inne rzezby', Plastyka i Wychowanie, Warsaw, Poland, July 1994

  • Jeffrey Side. "'The Field' as metaphor" and Marjeta Potrc. "Interview", Off the cuff, University of Liverpool English Society, Lent 1994

  • Author Unknown, 'La claque di terracotta', Il Giornale dell'Arte no.118, Turin, Italy, January 1994

  • Marika Wachtmeister, 'Mannen bakon blyholjena', Femina, Stockholm, Sweden, January 1994

  • Michael Carson, 'Teaching all nations - how?', The Catholic Times, London, England, January 1994

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