Antony Gormley

STILL MOVING, TOURING EXHIBITION, JAPAN, 1996 - 1997

07 September 1996 - 26 October 1997

STILL MOVING was the first major retrospective of Antony Gormley's work. It toured six venues in Japan from 1996-97: The Museum of Modern Art, Yukinoshita, Kamakura (7 September - 20 October 1996); Nagoya City Art Museum, Nagoya, Aichi (9 November 1996 - 26 January 1997); Iwaki City Art Museum, Iwaki, Fukushima (5 April - 18 May 1997); The Museum of Contemporary Art, Sapporo, Hokkaido (1 June - 13 July 1997); The Tokoshima Modern Art Museum, Tokoshima, Shikoku (26 July - 14 September 1997); and Takaoka Art Museum, Takaoka, Toyama (27 September - 26 October 1997).

CLOSE IV, 1994

CLOSE IV, 1994
Cast iron
27 x 201 x 174 cm
Installation view, Museum of Modern Art, Yukinoshita, Kamakura, Japan, 1996

FLAT TREE, 1978 (foreground)

FLAT TREE, 1978 (FOREGROUND)
Larch wood
678 cm (diameter)
A CASE FOR AN ANGEL II, 1990 (background)
Plaster, fibreglass, lead, steel, and air
197 x 858 x 46 cm
Installation view, Museum of Modern Art, Yukinoshita, Kamakura, Japan, 1996

A CASE FOR AN ANGEL II, 1990

A CASE FOR AN ANGEL II, 1990
Plaster, fibreglass, lead, steel, and air
197 x 858 x 46 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

PASSAGE, 1993

PASSAGE, 1993
Concrete
36 x 44 x 229 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

COMPOUND III, 1996

COMPOUND III, 1996
Cast iron
63.5 x 66 x 66 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

IMMERSION, 1991

IMMERSION, 1991
Concrete
181 x 50.5 x 36.5 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

LEARNING TO SEE I,

LEARNING TO SEE I,
Lead, fibreglass, plaster, and air
218 x 69 x 51 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

END PRODUCT, 1990/93

END PRODUCT, 1990/93
Cast iron and air
110 x 260 x 90 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

STILL MOVING, 1996

STILL MOVING, 1996
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

EDGE, 1985

EDGE, 1985
Lead, fibreglass, plaster and air
25 x 58 x 195 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

THREE THOUGHTS, 1984-85

THREE THOUGHTS, 1984-85
Lead, fibreglass, plaster, and air
Diameter: 99 cm
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

THREE WAYS: MOULD HOLE AND PASSAGE, 1981-82

THREE WAYS: MOULD HOLE AND PASSAGE, 1981-82
Lead and plaster
60 x 98 x 50 cm (MOULD)
62 x 123 x 80 cm (HOLE)
34 x 209 x 50 cm (PASSAGE)
Installation view, Museum of Modern Art, Kamakura, Yukinoshita, Japan, 1996

STILL MOVING, 1996

STILL MOVING, 1996
Installation view, Nagoya City Art Museum, Nagoya, Aichi, 1996
Photograph by Sakae Fukuoka

A CASE FOR AN ANGEL II, 1990

A CASE FOR AN ANGEL II, 1990
Plaster, fibreglass, lead, steel, and air
197 x 858 x 46 cm
Installation view, Nagoya City Art Museum, Nagoya, Aichi, 1996
Photograph by Sakae Fukuoka

STILL MOVING, 1996

STILL MOVING, 1996
Installation view, Nagoya City Art Museum, Nagoya, Aichi, 1996
Photograph by Sakae Fukuoka

SOVEREIGN STATE, 1989/90 and SEEDS IV, 1993

SOVEREIGN STATE, 1989/90 AND SEEDS IV, 1993
Installation view, Nagoya City Art Museum, Nagoya, Aichi, 1996
Photograph by Sakae Fukuoka

EDGE, 1985

EDGE, 1985
Lead, fibreglass, plaster, and air
25 x 58 x 195 cm
Installation view, Nagoya City Art Museum, Nagoya, Aichi, 1996
Photograph by Sakae Fukuoka

EDGE, 1985

EDGE, 1985
Lead, fibreglass, plaster, and air
25 x 58 x 195 cm
Installation view, Iwaki City Art Museum, Iwaki, Fukushima, Japan, 1997

FLAT TREE, 1978

FLAT TREE, 1978
Larch wood
678 cm (diameter)
Installation view, Iwaki City Art Museum, Iwaki, Fukushima, Japan, 1997

STILL MOVING, 1997

STILL MOVING, 1997
Installation view, Iwaki City Art Museum, Iwaki, Fukushima, Japan, 1997

CLOSE IV, 1994

CLOSE IV, 1994
Cast iron
27 x 201 x 174 cm
Installation view, Museum of Contemporary Art, Sapporo, Hokkaido, Japan, 1997

STILL MOVING, 1997

STILL MOVING, 1997
Installation view, Museum of Contemporary Art, Sapporo, Hokkaido, Japan, 1997

A CASE FOR AN ANGEL II, 1990

A CASE FOR AN ANGEL II, 1990
Plaster, fibreglass, lead, steel, and air
197 x 858 x 46 cm
Installation view, Museum of Contemporary Art, Sapporo, Hokkaido, Japan, 1997

THREE THOUGHTS, 1984-85

THREE THOUGHTS, 1984-85
Lead, fibreglass, plaster, and air
Diameter: 99 cm
Installation view, Museum of Contemporary Art, Sapporo, Hokkaido, Japan, 1997

STILL MOVING, 1997

STILL MOVING, 1997
Installation view, Museum of Contemporary Art, Sapporo, Hokkaido, Japan, 1997

SOVEREIGN STATE, 1989/90

SOVEREIGN STATE, 1989/90
Brass, lead, plaster, fibreglass, air, and rubber hose
Figure: 66 x 172 x 98 cm, Hose length: 30 000 cm, Hose diameter: 3.5 cm
Installation view, Museum of Contemporary Art, Sapporo, Hokkaido, Japan, 1997

CLOSE IV, 1994 and SOVEREIGN STATE, 1989/90

CLOSE IV, 1994 AND SOVEREIGN STATE, 1989/90
Installation view, Takaoka Art Museum, Takaoka, Toyama, Japan 1997

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